Our new album is out now

new album out now

Our new album sublime calculations is now available on all streaming platforms.

Simply click on the button below and pick your preferred platform:

Alternatively, show your appreciation by buying the album on iTunes:


I have discovered that it is enough when a single note is beautifully played. This one note, or a silent beat, or a moment of silence comforts me.
— Arvo Pärt 

The story behind the music

As we celebrate Arvo Pärt’s 90th birthday in 2025, he remains one of the world’s most performed living composers. Pärt’s music has always been part of SANSARA’s story. Since our very first concert back in December 2013, his music has been a regular feature of our programmes, always bringing a point of contrast and conjuring spell-binding atmospheres. 

In 2016, we had the privilege of performing Pärt’s music to the composer himself and his wife Nora. Their kind and encouraging words about our interpretations inspired us to keep exploring Pärt’s music and this recording project is the culmination of that exploration.

Arvo and Nora Pärt with SANSARA’s Artistic Director Tom Herring and former Associate Conductor Benjamin Cunningham, 2016.

This album is built on our ongoing collaboration with the viol consort Fretwork which began in 2022 with a tour built around Pärt’s Stabat Mater.

The decision to record this programme was not an easy one: there are plenty of fantastic recordings of Pärt’s music. But the combination of viols and voices brought something unique to our approach and so - with Pärt’s permission - we have recorded our versions of Stabat Mater and Da pacem Domine, alongside some of Pärt’s well-known a cappella works and Fretwork’s signature arrangements of Fratres and Summa

Our title ‘sublime calculations’ refers to Pärt’s signature musical language - tintinnabuli - and his idea that “the way to the most intense concentration on the essence of things” is found through reduction.

For Pärt, reaching beyond the everyday in search of the infinite is possible only through reducing his musical form to a raw simplicity.

This process of distillation to find a place of inner peace is surely one of the reasons why Pärt’s music has such broad appeal: it is an invitation to discover a personal feeling of belonging which is at once individual and universal. We are always making decisions or forming opinions based on our own calculations. Pärt’s music encourages us to search for the island within, the sublime home of our shared humanity. 

- Tom Herring

Executive Director opportunity

work with us

With over ten years of the highest level of choral music-making behind us and a bold artistic vision at our heart, SANSARA is at a pivotal and exciting moment in its journey.

Our new part-time role of Executive Director will sit at a senior level alongside our co-founder and Artistic Director Tom Herring, working closely with him on the leadership of the organisation.

Arvo Pärt singles out now

The three singles from our upcoming album sublime calculations are out now on all streaming platforms.

Use the links below to listen on your preferred platform:

The full album will be released on 5 September 2025.

Members of our Friends Circle have access to the full album in advance of the official release date. Join our chorus of supporters today by heading over to our support page and make a regular donation of as little as £3/month.

Tom appears on Singing for our Minds podcast

Artistic director Tom herring speaks on new podcast

Our Artistic Director Tom Herring recently spoke on a new podcast produced by Together Productions as part of a conversation about the importance of communication in choir leadership.

Excellence in professional music should be redefined as an aspiration for a level of ‘holistic excellence’ that prioritises the wellbeing of musicians in the knowledge that even greater musical heights will be reached when everyone feels safe, respected and valued.
— Tom Herring

Our Wigmore Hall debut

Our Wigmore Hall debut

On Tuesday 13 May, we gave our first performance at London’s iconic Wigmore Hall alongside the unparalleled Abel Selaocoe and Bernhard Schimpelsberger for a night to remember.

Here are some pictures from our rehearsal and a quote from cellist Sheku Kanneh-Mason who was in the sell-out audience.

© Ben Tomlin

It was very special to hear SANSARA with Abel Selaocoe at the Wigmore recently. The resonance and sensitivity of the choir was a beautiful match with cello. Intonation was delightful which made me very happy!
— Sheku Kanneh-Mason

© Ben Tomlin

New album artwork

We’re excited to reveal the new artwork for our upcoming album, painted by our Artistic Director Tom Herring.

I wanted to try and capture something close to the mathematical precision which underlies Arvo Pärt’s music. The lines on the painting represent the 9 tracks on the album, each on a sublime piece of musical calculation.
— Tom Herring

© Tom Herring

The first single from sublime calculations - Arvo Pärt’s Da pacem Domine will be released on all streaming platforms on Friday 11 April 2025.

Introducing Voicing Loss

Voicing Loss is the next phase in our work to support people experiencing grief and bereavement through music.

We’ve experienced first-hand the remarkable impact ensemble singing can have on those affected by loss.

Our work in this area began during the pandemic in 2020 when people were losing loved ones suddenly and often without opportunities to say goodbye. Funerals, memorials or other ceremonies were also severely limited due to the strict regulations at the time. For most people, these bereavement rituals are vital parts of processing the death of a loved one and as the pandemic wore on, the lack of space for shared expressions of loss soon contributed to a crises in complex and unresolved grief.

You can find out more about the impact of covid on grief and bereavement in this report by the National Centre for Social Research.

Singing together is often a central part of ceremonies that celebrate a person’s life and form a key part of the rituals of loss which were so strongly curtailed during the pandemic. We wanted to do something to respond to this crisis and between 2020-2021, we developed our Rite to Grieve pilot project in partnership with Ellie Harrison and The Grief Series with support from the Paul Hamlyn Foundation. 

Alongside developing a new community workshop format, we commissioned composer Rebecca Dale to write a new piece for the project. My North was premiered at a commemorative ceremony at the National Covid Memorial Wall in March 2022.

Fast forward to 2024 and we were invited for a Creative Health residency at Britten Pears Arts in Suffolk, where we developed our ideas with a range of practitioners working across music therapy and clinical psychology. You can find out more about the residency here.

The result was Voicing Loss, a new version of our workshop format with an increased focus on the breath as a tool for grounding oneself and helping to calm the onset of strong emotions. Gentle vocal exercises have also been incorporated throughout the workshop to encourage participants to explore using their voices to release tension while also creating a choral soundscape with others in the group, building peer-to-peer connection through sound.

The residency was followed by two pilot sessions at St Elizabeth Hospice and Snape Maltings in September 2024 and we will return to the hospice in March 2025 for a workshop specially designed for the amazing people who work there.

We’re thrilled to share that Voicing Loss has been selected by the Big Give as part of its Arts for Impact campaign.

The campaign will run from 18-25 March and all donations up to £2,500 will be doubled by the Big Give’s match funding. We’ll be sharing details of the campaign on our website and socials in the coming weeks.

Christmas single for Apple Music

This Christmas we’re sharing a brand new single as part of Apple Music’s Classical Carols Covered holiday playlist.

In collaboration with percussionist Delia Stevens, we’ve recorded a new version of Errollyn Wallen’s hauntingly beautiful Peace on Earth for upper voices and vibraphone.

It’s one of those pieces that stays with you once you’ve heard it, and it feels like it’s always spinning away somewhere in my memory.
— Tom Herring, Artistic Director

Guest Conductor announcement

We’re thrilled to announce that Ellie Slorach will be conducting our next two concerts.

Our Artistic Director Tom Herring is taking a sabbatical this Autumn and whilst he’s off we have two London performances which will be led by Ellie.

Find out more about Ellie via her website.

On Thursday 7 November, SANSARA will open the 2024 Joy & Devotion festival of Polish sacred music at St James’ Piccadilly. And on Saturday 14 December, the choir will join forces with United Strings of Europe and oud master Basel Saleh to present our Sanctuary & Solidarity programme at the Barbican’s Milton Court.

Head over to our events page to book your tickets now.

New album out now

Our new album in the midst is out now on all streaming platforms.

Recorded in November 2023, in the midst is our latest release in collaboration with United Strings of Europe as part of our wider Sanctuary & Solidarity project.

Music has the unique capacity to hold cultural memory. Our aim with this recording is to capture a moment when the meaning held in these works feels acutely relevant and important. Our hope is that these recordings will inspire future iterations of these pieces, each performance surfacing in sound the deeply felt emotions enshrined within them.
— Tom Herring, Artistic Director

Rothko Chapel Reviews

Rothko CHapel Reviews

Earlier this month, we hit the road with Manchester Collective to tour our joint Rothko Chapel programme

Rothko Chapel at Bridgewater Hall - © Charlotte Wellings

With concerts at London’s Southbank Centre and Manchester’s Bridgewater Hall framing the trip, we also made our debut appearances in Germany and Belgium.

Here’s a round up of how it went down…

⭐️ ⭐️ ⭐️ ⭐️ ⭐️
a wonderfully subtle and hushed sense of the numinous. This was singing of an extremely high order, and the close-written choral sounds were quite extraordinary, with bell-clear soprano soli.
— Robert Beale, The Arts Desk

Rothko Chapel at Bridgewater Hall - © Charlotte Wellings

⭐️ ⭐️ ⭐️ ⭐️
[an] exquisitely moulded performance
— Andrew Clements, The Guardian

Rothko Chapel at Erholungshaus, Leverkusen

⭐️ ⭐️ ⭐️ ⭐️
Today’s concert ticked all the boxes for a great show: clever light set-up, a few introductory remarks, seamless transitions, skilled musicians and, naturally, an exciting programme. The ambitious goal to “invite contemplation” and “create a spiritual space” was gloriously accomplished.
— Marat Ingeldeev, Bachtrack

Rothko Chapel at Bridgewater Hall - © Charlotte Wellings

Pitching from SANSARA is (pardon the pun) simply off the scale... An utterly remarkable, unforgettable concert. In SANSARA, Manchester Collective has surely found an aesthetic twin.
— Colin Clarke, Seen & Heard International

New Record Deal

New Record Deal

We’re thrilled to announce a new three album record deal with our label partners Platoon.

Future recording projects include collaborations with renowned ensembles Fretwork and United Strings of Europe, opening the next exciting chapter of our recording work.

I’m over the moon to be working with Platoon and can’t wait to build on our existing recordings with three new ambitious projects
— Tom Herring, Artistic Director

Traces of the White Rose

Traces of the White Rose

Find out more about our multi-dimensional project exploring the lives and stories of the members of the White Rose resistance through a new podcast series and live performances.

The White Rose was an anti-Nazi movement run by a core group of five students and a professor in the southern German city of Munich in the early 1940s after the outbreak of the Second World War…

The White Rose resistance stretched far beyond Munich, but at its heart there were six individuals: students Hans Scholl (1918–1943) and his sister Sophie Scholl (1921–1943), Christoph Probst (1919–1943), Alexander Schmorell (1917–1943), Willi Graf (1918–1943), and Professor Kurt Huber (1893–1943).

Between 1942 and 1943 the group wrote and distributed six pamphlets calling on their fellow Germans to mount passive resistance against the Nazi regime. They used a second-hand duplicating machine, and even obtained paper, envelopes, and stamps despite wartime shortages. 

They distributed the pamphlets at great personal risk. On 18 February 1943 Hans and Sophie Scholl took copies of the sixth pamphlet to the University of Munich and deposited them around the atrium at the entrance of the main university building. They were spotted by a university caretaker, and were immediately detained by the Nazi secret police, the Gestapo.

Following their subsequent arrests, on 22 February Hans Scholl, Sophie Scholl and Christoph Probst were sentenced to death and executed by guillotine just hours after the conclusion of their trial. Alexander Schmorell, Kurt Huber, and Willi Graf were subsequently arrested, tried, and sentenced to death on 19 April. Schmorell and Huber were executed three months later, on 13 July, and Graf was executed on 12 October 1943.

The texts that remain are the traces of people who lived and risked their lives for freedom – resistors who stood up to Nazism, and paid with their lives.

Wherever you may be, mount passive resistance – RESISTANCE …Remember that every people deserves the government it is prepared to tolerate.
— From the 1st pamphlet of the White Rose

Our partners

We have been working on a multi-faceted recording and cultural exchange project in collaboration with the University of Oxford’s White Rose Project, led by Dr Alexandra Lloyd, a lecturer in German Studies and author of Defying Hitler: The White Rose Pamphlets.

Through the White Rose Project, current Oxford University students have provided us with vivid new English translations of the group’s letters, diaries and resistance pamphlets. Alongside their powerful political writings, hearing their private words reveals the human reality behind the groups’ political activism. 

There are times when I dread the war and I’m on the brink of losing all hope. I don’t like to think about it, but soon there won’t be anything but politics, and as long as politics is this confused and evil, turning away from it would be cowardly.
— Sophie Scholl, 1940

The Podcast

This collaboration has encouraged us to think beyond traditional formats for choral music and we are delighted to announce that Traces of the White Rose will be released by Oxford University Podcasts on 12 October 2023, the 80th anniversary of the final White Rose executions. 

We’ll be sharing the story of the White Rose in the resistors’ own words, alongside choral music from our latest album Traces.

We know that the members of the White Rose were all highly creative and musical people - they sang in choirs, played instruments and went to concerts together. Professor Kurt Huber was also a musicologist and folk song collector. One of Dr Alex Lloyd’s theories is that their engagement in music, art, and culture might have helped them to imagine a world beyond the Third Reich, which in turn led them to take political action. 

Music softens the heart; it orders its confusion, relaxes its tension, and creates the conditions for the work of the spirit in the soul which had previously knocked in vain at its tightly sealed doors. Yes, quietly and peacefully music opens the doors of the soul…
— Sophie Scholl, 1942

As Sophie Scholl writes, music creates the conditions for the work of the spirit. The music in the podcast represents their cultural imagination and embodies their connections to each other - multiple voices working together to express their profound sense of responsibility to speak up and be heard. 

Traces of the White Rose  Podcast was made with support from the Genesis Foundation Kickstart Fund, the University of Oxford’s Public Engagement with Research Seed Fund, The Oxford Research Centre in the Humanities, and the Higher Education and Innovation Fund.


Live performances

Alongside the launch of the podcast we will be presenting two live performances of Traces of the White Rose in the coming months, combining the translations from the White Rose Project with music from our most recent album Traces.

Friday 6 October

St Martin-in-the-Fields, London

Saturday 11 November

Wiltshire Music Centre